Difference between revisions of "Lahore"
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Lahore used to be the most cultural point in the entire North India on the eve of independence.The city at olden times had produced some of the pioneering names in modern classical,poular and film music of the region. | Lahore used to be the most cultural point in the entire North India on the eve of independence.The city at olden times had produced some of the pioneering names in modern classical,poular and film music of the region. | ||
− | =='''Film music'''== | + | ==='''Film music'''=== |
Film music in Pakistan has largely been dominated by one female voice, that of Noorjehan. She was already in the prime of her career when Lata Mangeshkar made her debut as a play-back singer in Bombay before Partition. Before the era of play-back singing, Noorjehan was an actress-singer. After Partition, she migrated to Lahore with her husband, Shaukat Hussain Rizvi, the famous producer/ director and film-editor who started Shah Noor Studios in Lahore, one of the centres of Pakistani film activity for the last fifty years. The legendary male film singer Muhammad Rafi made his own debut singing a duet with her. Noorjehan may well have recorded more songs than all the other vocalists in Pakistan films put together. Noorjehan has a full throated voice capable of handling lower registers with remarkable command, a quality that makes her equally at ease with Punjabi and Urdu songs. Her versatility has rendered a large number of her songs part of the region’s collective musical memory. | Film music in Pakistan has largely been dominated by one female voice, that of Noorjehan. She was already in the prime of her career when Lata Mangeshkar made her debut as a play-back singer in Bombay before Partition. Before the era of play-back singing, Noorjehan was an actress-singer. After Partition, she migrated to Lahore with her husband, Shaukat Hussain Rizvi, the famous producer/ director and film-editor who started Shah Noor Studios in Lahore, one of the centres of Pakistani film activity for the last fifty years. The legendary male film singer Muhammad Rafi made his own debut singing a duet with her. Noorjehan may well have recorded more songs than all the other vocalists in Pakistan films put together. Noorjehan has a full throated voice capable of handling lower registers with remarkable command, a quality that makes her equally at ease with Punjabi and Urdu songs. Her versatility has rendered a large number of her songs part of the region’s collective musical memory. | ||
− | =='''Qawwali's and Sufi Music'''== | + | ==='''Qawwali's and Sufi Music'''=== |
The range of Sufi music includes the highly structured genre of qawwali, kafi and various regional genres of similar ethos. The origin of qawwali (Sufi poetry set to music) is traced back to the 13th century saint poet musician Amir Khusrau of Delhi, who evolved and perfected the musical structure of the genre and also in a way set the tone of poetic imagery and construction which has been broadly followed by the future composers. In line with the general policy of propagation of Islamic values, the genre received special treatment in the post 1947 official policy and special slots were allocated to qawwali performances on radio and television. A host of other religious genres also developed as popular media items in the same period of time which include kafi, na’at and hamd. | The range of Sufi music includes the highly structured genre of qawwali, kafi and various regional genres of similar ethos. The origin of qawwali (Sufi poetry set to music) is traced back to the 13th century saint poet musician Amir Khusrau of Delhi, who evolved and perfected the musical structure of the genre and also in a way set the tone of poetic imagery and construction which has been broadly followed by the future composers. In line with the general policy of propagation of Islamic values, the genre received special treatment in the post 1947 official policy and special slots were allocated to qawwali performances on radio and television. A host of other religious genres also developed as popular media items in the same period of time which include kafi, na’at and hamd. | ||
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Qawwali developed as the major Sufi music genre through the careers of a number of prominent qawwals like Munshi Raziuddin, Baha-ud-din, Santoo Khan, Nusrat Fateh Ali Khan’s father, Fateh Ali Khan and uncle Mubarak Ali Khan, Aziz Mian, Sabri Brothers and Nusrat Fateh Ali Khan. Qawwali had a healthy steady patronage from the shrines of Sufi saints which have large established followings who shower money on qawwals performing on various auspicious occasions. It was the carrying of this genre abroad in the early seventies, however, that made it a powerful widely popular genre on the world music scene. Sabri Brothers performing in Carnegie Hall New York in the mid seventies received rave reviews succeeded by several very successful international tours. Aziz Mian also had a successful concert career. | Qawwali developed as the major Sufi music genre through the careers of a number of prominent qawwals like Munshi Raziuddin, Baha-ud-din, Santoo Khan, Nusrat Fateh Ali Khan’s father, Fateh Ali Khan and uncle Mubarak Ali Khan, Aziz Mian, Sabri Brothers and Nusrat Fateh Ali Khan. Qawwali had a healthy steady patronage from the shrines of Sufi saints which have large established followings who shower money on qawwals performing on various auspicious occasions. It was the carrying of this genre abroad in the early seventies, however, that made it a powerful widely popular genre on the world music scene. Sabri Brothers performing in Carnegie Hall New York in the mid seventies received rave reviews succeeded by several very successful international tours. Aziz Mian also had a successful concert career. | ||
− | =='''Folk music'''== | + | ==='''Folk music'''=== |
Amongst the pioneers in the field of folk music’s presentation were Alam Lohar, Sain Akhtar, Sain Marna, Khameesoo Khan, Misri Khan and to some extent Zahida Parveen as a large portion of her repertoire could be categorised as Sufi as well as folk. These artists frequently toured abroad and also published LPs. The genre had a sympathetic treatment from the official media also and a number of official bodies also supported its conservation and publication but the real boost came with the advent of cassette when Ataullah Esakhelvi and Abida Parveen became mega hits. The present day scene is dominated by Alam’s son Arif, Ataullah, Abida Parveen, Sohrab Fakir and Allan. A number of traditional drummers and instrumentalists like Pappu Sain from Lahore are also coming to prominence. Another prominent names of recent past include Pathaney Khan and Tufail Niazi. The genre has also attracted considerable international attention and a number of these groups have performed and recorded abroad. | Amongst the pioneers in the field of folk music’s presentation were Alam Lohar, Sain Akhtar, Sain Marna, Khameesoo Khan, Misri Khan and to some extent Zahida Parveen as a large portion of her repertoire could be categorised as Sufi as well as folk. These artists frequently toured abroad and also published LPs. The genre had a sympathetic treatment from the official media also and a number of official bodies also supported its conservation and publication but the real boost came with the advent of cassette when Ataullah Esakhelvi and Abida Parveen became mega hits. The present day scene is dominated by Alam’s son Arif, Ataullah, Abida Parveen, Sohrab Fakir and Allan. A number of traditional drummers and instrumentalists like Pappu Sain from Lahore are also coming to prominence. Another prominent names of recent past include Pathaney Khan and Tufail Niazi. The genre has also attracted considerable international attention and a number of these groups have performed and recorded abroad. | ||
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The recent trends in pop music have created certain unique blends of indigenous folk music themes with the western pop themes. Some of these like Abrar-ul- Haq’s ‘Billo’ have become mega hits and have also been sold to Bombay Films. A number of other musicians are also active in evolving styles closely modelled on similar patterns. | The recent trends in pop music have created certain unique blends of indigenous folk music themes with the western pop themes. Some of these like Abrar-ul- Haq’s ‘Billo’ have become mega hits and have also been sold to Bombay Films. A number of other musicians are also active in evolving styles closely modelled on similar patterns. | ||
− | =='''Ghazal'''== | + | ==='''Ghazal'''=== |
Mehdi Hasan | Mehdi Hasan | ||
This is essentially a poetic genre which has a strong tradition of singing attached to it. At the time of partition the great exponent of ghazal singing Ustad Barkat Ali Khan was active in Lahore. As the genre received avowed official patronage, a large number of musicians tried their hands at it. Those exclusively known for ghazal singing are Ijaz Hussain Hazravi, Fareeda Khanum, Iqbal Bano and the two great contemporary stylists; Ghulam Ali and Mehdi Hassan. Also known (partly) for ghazal singing are Ustad Amanat Ali Khan, Hamid Ali Khan, Nusrat Fateh Ali Khan, Shahida Parveen and Abida Parveen. The genre received a great boost in Pakistan due to the fact that some of the best poets, in the last fifty years, lived in Pakistan. | This is essentially a poetic genre which has a strong tradition of singing attached to it. At the time of partition the great exponent of ghazal singing Ustad Barkat Ali Khan was active in Lahore. As the genre received avowed official patronage, a large number of musicians tried their hands at it. Those exclusively known for ghazal singing are Ijaz Hussain Hazravi, Fareeda Khanum, Iqbal Bano and the two great contemporary stylists; Ghulam Ali and Mehdi Hassan. Also known (partly) for ghazal singing are Ustad Amanat Ali Khan, Hamid Ali Khan, Nusrat Fateh Ali Khan, Shahida Parveen and Abida Parveen. The genre received a great boost in Pakistan due to the fact that some of the best poets, in the last fifty years, lived in Pakistan. | ||
− | =='''Classical'''== | + | ==='''Classical'''=== |
The two great sitar players Ustad Sharif Khan and Ustad Fateh Ali Khan are survived by their sons and a few pupils. Another major sitar player is Ustad Rais Khan who migrated from India to settle here after getting married to the film singer Bilquis Khanum. His active career, however, is in singing ghazals in which he is not very prominent but which is a more lucrative pursuit in financial terms. | The two great sitar players Ustad Sharif Khan and Ustad Fateh Ali Khan are survived by their sons and a few pupils. Another major sitar player is Ustad Rais Khan who migrated from India to settle here after getting married to the film singer Bilquis Khanum. His active career, however, is in singing ghazals in which he is not very prominent but which is a more lucrative pursuit in financial terms. | ||
The major classical singers include Roshan Ara Begum,Ustad Salamat Ali Khan, Ustad Fateh Ali Khan, Ustad Ghulam Hussain Shaggan, Hamid Ali Fateh Ali and Imtiaz Ali Riaz Ali. | The major classical singers include Roshan Ara Begum,Ustad Salamat Ali Khan, Ustad Fateh Ali Khan, Ustad Ghulam Hussain Shaggan, Hamid Ali Fateh Ali and Imtiaz Ali Riaz Ali. |
Revision as of 09:39, 15 June 2007
Lahore, also known as the cultural capital of Pakistan is a unique blend of the new and the old. Where at one end tall buildings, modern offices are fast sprouting in Lahore, the old flavor of Lahore is also retained. The Origins of Lahore are unknown. Several myths and theories circulate including one about it being established by Loh who was the son of the Hindu god king Ram. One thing, however, is certain. Lahore is ancient enough to discredit the authenticity of any theory that exists about its beginnings.The provincial level capital and main city of Punjab is Lahore,which has been the historical capital of this region.
Contents
Lahore’s rise to prominence
Lahore has been the seat of many kings. It was the capital during the reign of rulers such as Mahmood Ghaznavi, Qutub ud Din Aibak and the mighty Moghul Emperor Akbar. The Moghuls have left marks of their presence in the form of beautiful architecture throughout the entire city.
Some highlights about Pace
Pace is a very modern and advance shopping mall.It has four floors.There is a basement for car parking,escalators etc. The ground floor is for grocery as foriengners can benefit alot as there are imported and non imported things to choice on. The other floors contain alot of variety from children accessories to ladies jewelery,mens wear,shoes,electronics,food points,cafes and almost every quality oriented thing to find.
Some previews about Defence Shopping Mall
The Rafi Group has given the city of Lahore some notable buildings. It has pioneered multi-purpose commercial complexes. Landmark on Jail Road, Central Plaza in Garden Town and Empress Towers on Empress Road are noteworthy examples of their efforts in this regard. Empire Centre in Main Boulevard Gulberg introduced a new concept of a shopping mall.Defence Shopping Mall in Defence Boulevard is also a trail-blazer and the first to offer a "one-use only" shopping mall. There is shopping activity on all the floors and there is plenty of places for car parking.
- You can do traditional shopping from Anarkali Bazaar which is cheap.For hand made carpets ,leather crafts, handicrafts you can visit Panorama Center which is also renoned for mens wear.Fortress Stadium Market is a place where you can enjoy and shop as there are very many specific enjoyment places,recreational parks and activities for children and teenagers.
Anarkali You can shop for any kind of materials whether they are traditionals or other.
List of Universities in Lahore
- Aitchison College, Lahore
- University of Punjab, Lahore
- Kinnaird College for Women, Lahore
- University of Engineering and Technology, Lahore
- University of Veterinary and Animal Sciences, Lahore
- National College of Arts, Lahore
- Lahore College for Women University, Lahore
- Government College University, Lahore
- University of Education, Lahore
- Virtual University, Lahore
- University of Health Sciences, Lahore
- Institute of South Asia, Lahore
- Lahore University of Management Sciences, Lahore
- National University of Computer and Emerging Sciences (formerly FAST), Lahore
Music
Lahore used to be the most cultural point in the entire North India on the eve of independence.The city at olden times had produced some of the pioneering names in modern classical,poular and film music of the region.
Film music
Film music in Pakistan has largely been dominated by one female voice, that of Noorjehan. She was already in the prime of her career when Lata Mangeshkar made her debut as a play-back singer in Bombay before Partition. Before the era of play-back singing, Noorjehan was an actress-singer. After Partition, she migrated to Lahore with her husband, Shaukat Hussain Rizvi, the famous producer/ director and film-editor who started Shah Noor Studios in Lahore, one of the centres of Pakistani film activity for the last fifty years. The legendary male film singer Muhammad Rafi made his own debut singing a duet with her. Noorjehan may well have recorded more songs than all the other vocalists in Pakistan films put together. Noorjehan has a full throated voice capable of handling lower registers with remarkable command, a quality that makes her equally at ease with Punjabi and Urdu songs. Her versatility has rendered a large number of her songs part of the region’s collective musical memory.
Qawwali's and Sufi Music
The range of Sufi music includes the highly structured genre of qawwali, kafi and various regional genres of similar ethos. The origin of qawwali (Sufi poetry set to music) is traced back to the 13th century saint poet musician Amir Khusrau of Delhi, who evolved and perfected the musical structure of the genre and also in a way set the tone of poetic imagery and construction which has been broadly followed by the future composers. In line with the general policy of propagation of Islamic values, the genre received special treatment in the post 1947 official policy and special slots were allocated to qawwali performances on radio and television. A host of other religious genres also developed as popular media items in the same period of time which include kafi, na’at and hamd.
In the subsequent years a number of prominent classical vocalists also experimented in the genre but a few developed it exclusively. These include Pathaney Khan, Zahida’s daughter, Shahida Parveen, Hussain Bakhsh Dhadhi, Ustad Allah Dad of Bahawalpur in the Punjabi/ Saraiki style and Abida Parveen, Ustad Jumman, Sohrab Fakir, Qurban Fakir, Faqira Bhagat, Krishan Lal Bheel and a range of others in the Sindhi style. Most of these artists have had successful international tours as well.
Qawwali developed as the major Sufi music genre through the careers of a number of prominent qawwals like Munshi Raziuddin, Baha-ud-din, Santoo Khan, Nusrat Fateh Ali Khan’s father, Fateh Ali Khan and uncle Mubarak Ali Khan, Aziz Mian, Sabri Brothers and Nusrat Fateh Ali Khan. Qawwali had a healthy steady patronage from the shrines of Sufi saints which have large established followings who shower money on qawwals performing on various auspicious occasions. It was the carrying of this genre abroad in the early seventies, however, that made it a powerful widely popular genre on the world music scene. Sabri Brothers performing in Carnegie Hall New York in the mid seventies received rave reviews succeeded by several very successful international tours. Aziz Mian also had a successful concert career.
Folk music
Amongst the pioneers in the field of folk music’s presentation were Alam Lohar, Sain Akhtar, Sain Marna, Khameesoo Khan, Misri Khan and to some extent Zahida Parveen as a large portion of her repertoire could be categorised as Sufi as well as folk. These artists frequently toured abroad and also published LPs. The genre had a sympathetic treatment from the official media also and a number of official bodies also supported its conservation and publication but the real boost came with the advent of cassette when Ataullah Esakhelvi and Abida Parveen became mega hits. The present day scene is dominated by Alam’s son Arif, Ataullah, Abida Parveen, Sohrab Fakir and Allan. A number of traditional drummers and instrumentalists like Pappu Sain from Lahore are also coming to prominence. Another prominent names of recent past include Pathaney Khan and Tufail Niazi. The genre has also attracted considerable international attention and a number of these groups have performed and recorded abroad.
The recent trends in pop music have created certain unique blends of indigenous folk music themes with the western pop themes. Some of these like Abrar-ul- Haq’s ‘Billo’ have become mega hits and have also been sold to Bombay Films. A number of other musicians are also active in evolving styles closely modelled on similar patterns.
Ghazal
Mehdi Hasan
This is essentially a poetic genre which has a strong tradition of singing attached to it. At the time of partition the great exponent of ghazal singing Ustad Barkat Ali Khan was active in Lahore. As the genre received avowed official patronage, a large number of musicians tried their hands at it. Those exclusively known for ghazal singing are Ijaz Hussain Hazravi, Fareeda Khanum, Iqbal Bano and the two great contemporary stylists; Ghulam Ali and Mehdi Hassan. Also known (partly) for ghazal singing are Ustad Amanat Ali Khan, Hamid Ali Khan, Nusrat Fateh Ali Khan, Shahida Parveen and Abida Parveen. The genre received a great boost in Pakistan due to the fact that some of the best poets, in the last fifty years, lived in Pakistan.
Classical
The two great sitar players Ustad Sharif Khan and Ustad Fateh Ali Khan are survived by their sons and a few pupils. Another major sitar player is Ustad Rais Khan who migrated from India to settle here after getting married to the film singer Bilquis Khanum. His active career, however, is in singing ghazals in which he is not very prominent but which is a more lucrative pursuit in financial terms.
The major classical singers include Roshan Ara Begum,Ustad Salamat Ali Khan, Ustad Fateh Ali Khan, Ustad Ghulam Hussain Shaggan, Hamid Ali Fateh Ali and Imtiaz Ali Riaz Ali.