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FILE | ELECTRONIC LANGUAGE INTERNATIONAL FESTIVAL

The Electronic Language International Festival (FILE) is a non-profit cultural organization, organized by artists Ricardo Barreto and Paula Perissinotto, whose purpose is to disseminate and to develop arts, technologies and scientific research, by means of exhibitions, debates, lectures, and courses.

The festival promotes an yearly meeting in Brazil, in the city of São Paulo and also in the city of Rio de Janeiro, of international arts and new-media professionals. The File Festival show in its events web art,electronic art, net.art, artificial life, hypertext fiction, computer animation, interactive art , real time teleconferences, virtual reality, [information art] , art panoramas, interactive movie, e- video, electronic art installations and robotics through interactive and immersive rooms.

The File festival has showed the annual event FILE-SYMPOSIUM along with the festival, and it became a meeting point in the city of Sao Paulo. FILE Symposium, in its annual editions, brings names of expressive artists, intellectuals, theoreticians, researchers and scientists such as Ted Nelson, Lev Manovich , Bill Vorn, George Landow, Marcel.Lí Antúnez Roca, Han Hoogerbrugge , with the concern of establishing an international exchange of digital culture.

The event is open to the public, and intends to expand its educational reach to local and eventually remote audiences, thus sharing the experiences learned with FILE, through technologies of education, communication, registration and memory. The File festival also promotes the event Hipersônica, the festival's sonic arm, which intends to elaborate connections among the worlds of images, sonorities and text.

The festival of hypersonorities, sound poetry, error-music, sonic sculptures and antimusic identifies styles and trends, towards performatic abstractions derived from the residual interrelation with videographism, game-art, electronic theater, and direct interventions.The FILE-site:http://www.file.org.br. The FILE-photos: Flickr - file2006. The FILE-hipersonica videos YouTube.com - [1].The FILE-hipersonica photos: Flikr - hipersonica Hipersonica-site [2] FILE and HIPERSONICA 2007 SP .

FILE 2007

FILE RIO 2007 GAME ART- MOVE Andrew Hieronymi

FILE SAO PAULO 2007 Wildlife Karolina Sobecka

Related Domains

Archive

The FILE Archive has now more than 2000 national and international digital works of 38 different countries in several supports of digital media such as cd-rom, zips, diskettes, and video tape, texts and catalogues. This archive potential and significance can offer a great overview of what was produced in new media art since the year 2000 File Archive- on-line collection of net-art

The event is about new media art.

FILE Labo

FILE Labo: The mission of FILE Labo is the development, research and experimentation of multidisciplinary works in the fields of new media. It offers an environment of multidisciplinary researches and creators in a platform of free collaboration among national and international artists, programmers, scientists and researchers. FILE Labo's infrastructure was designed to hold projects in Art & Technology using the most different tools: augmented reality, interactive installation, sound installations, video performance, experimental robotics, urban interventions, and more. FILE-Labo has as its aim the cultural and technological swapping, through residencies and interchanges among National and Internacional communities, inserting its production into a globalized context of research and development, compatible with the techno-contemporary mentality.

Research Groups @ FILE Labo

Software Studies Initiative Group in São Paulo The SWS Initiative is a research group affiliated to the Software Studies Initiative at University of California, San Diego (UCSD), directed by Lev Manovich and coordinated in Brazil by Cicero Silva. The SWS group supports monthly meetings and lectures at the Labo and it's also developing two research projects in Brazil, one about the Open Source movement in Brazil and the other one about the impact of Creative Commons project in the Brazilian culture.

Board of FILE Labo

Alberto Saraiva, Cicero Silva, Marcos Moraes, Ricardo Hage, Roberto M. Cesar Jr., Sergio Vieira Branco Júnior

Artists

A selection of important artists working in File festival:

Performancers and Participants

A selection of important performancers and participants working in File hipersonica:

Lectures

A selection of important lectures working in File symposium:

Publications

• FILE’s book 2006:"Machine Art", 305 pages. Authors: Ricardo Barreto and Paula Perissinotto. Text: “The Universal Viral Machine” of Jussi Parikka. Design: Cássia Buitoni and Silvia Amstalden. ISBN: 85-89730-05-0.

• FILE’s Rio book: (2006) 190 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “The Subject-Project: Metaformance and Endoesthetics” of Claudia Giannetti. Design: André Lenz. ISBN: 85-89730-04-2.

• FILE’s book 2005:"Hypermedia" 265 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “The Form of Technique” by Cicero Inacio Da Silva. Design: André Lenz and Gabriel Borges. ISBN: 8589730034.

• FILE’s book 2004: "File2004" 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “From Criticism to Creative Games in the Digital Age”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN 85-89730-02-6.

• FILE’s book 2003 “Novas Mídias/New Media”  : 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “The Anarcho-Culture”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN: 85-89730018.

• FILE’s book 2002 “Internet Art”  : 160 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “the_culture_of_immanence”, of Ricardo Barreto and Paula Perissinotto. Design: Fábio Prata and Maíra Ramos ISBN: 85-7060-038-0.

Articles

• Nelson, Theodor Holms (aka Ted Nelson). "Way out of the box". In FILE Symposium book. São Paulo, IMESP/FILE, 2005. ISBN 85-89730-03-4.
• Parikka, Jussi. “The Universal Viral Machine”.in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
• Barreto, Ricardo and Perissinotto, Paula “the_culture_of_immanence”, in Internet Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2002. ISBN: 85-7060-038-0.
• Barreto, Ricardo. “The Anarcho-Culture” in New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003. ISBN: 85-89730018.
• Barreto,Ricardo. “The Hyper-Cinemactivity” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
• Barreto, Ricardo. "The Avactor" in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
• Perissinotto, Paula. A new stage in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
• Da Silva, Cicero Inacio. "The ends of the means" in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6.
• Da Silva, Cicero Inacio. "After Hyper. Interview with George Landow. In FILE Symposium book. São Paulo, IMESP/FILE, 2005. ISBN 85-89730-03-4.
• Da Silva, Cicero Inacio. "Signs: from text to context". In New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003.
• Da Silva, Cicero Inacio. "Hypercinemactivity". In Hypermedia. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2005. ISBN: 8589730034.
• Da Silva, Cicero Inacio. The Form of Technique.] In Hypermedia. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2005. ISBN: 8589730034.
• Giannetti, Claudia Metaformance and Endoesthetics, in FILERIO. Ricardo Barreto e Paula Perissinotto (orgs.) Rio de Janeiro,2005. ISBN: 8589730042.
• Almeida, Jane de. "Drawn. After a hundred years of animation. (portuguese version). In Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 8589730050.
• Bo Kampmann, Walter.“Playing and Gaming” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
• Eskelinen, Markku. “The Gaming Situation” in New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003. ISBN: 85-89730018.
• Onça, Fabiano. “Image, existence and belonging” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
• Frasca,Gonzalo. Gonzalo Frasca “Ludology Meets Narratology” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).
• Oliver, Julian. “The Similar Eye/Proxy Life and Public Space in the MMORPG” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).
• Oliver, Julian. “Developer in Exile/Why Independent Game Development Needs an Island” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).

Related Domains

References

• Hentschläger, Ursula und Wiener, Zelko Interview
• Baumgärtel, Tilman (2001). net.art 2.0 – Neue Materialien zur Netzkunst / New Materials towards Net art. Nürnberg: Verlag für moderne Kunst. ISBN 3-933096-66-9.
• Wilson, Stephen (2001). Information Arts: Intersections of Art, Science and Technology. Cambridge, Mass. : MIT Press. ISBN 0-262-23209-X.
• Grau, Oliver (2003). Virtual Art: From Illusion to Immersion (Leonardo Book Series). Cambridge, Massachusetts: The MIT Press. ISBN 0-262-07241-6.
• Net Art Review a daily updated site that tries to keep pace with what is happening in the world of netart: netartreview
• The syndicate network for media culture and media art : http://anart.no/~syndicate
• Thomas Dreher: IASLonline Lessons in NetArt
• Ascott, R. (200)3. Telematic Embrace. [E.Shaken, ed.] Berkeley: University of California Press
• Manovich, Lev (2001). The Language of New Media Cambridge, Masschusetts: The MIT Press. ISBN 0-262-63255-1.
• Paul, Christiane (2003). Digital Art (World of Art series). London: Thames & Hudson. ISBN 0-500-20367-9.
• Grau, Oliver (2003). Virtual Art: From Illusion to Immersion (Leonardo Book Series). Cambridge, Massachusetts: The MIT Press. ISBN 0-262-07241-6.
• Grau, Oliver (2007). (Ed.) MediaArtHistories. Cambridge, Massachusetts: The MIT Press. ISBN 0262072793.
• Whitelaw, Mitchell (2004). Metacreation: Art and Artificial Life Cambridge, Massachusetts: The MIT Press. ISBN 0-262-73176-2.
• Wands, Bruce (2006). Art of the Digital Age, London: Thames & Hudson. ISBN 0-500-23817-0.

External links

• Alexa: File
• Wikipedia: File
• The Wire 279
• Whitney
• google-arts digital events Rank
• Wired
• netartreview
• Japan Media Arts Festival
• File Festival-complete collection of net-art
• UNESCO
• intute
• new media fix
• shift.jp
• scan news
• electronic literature organization
• british council
• arte digital 8
• digital-log
• VI Coloquio Art Digital/Cuba
• cuts shorts art web
• Linz Kultur
• Turbulence
• Gameology
• NewMediaArtProjectNetwork Cologne based experimental platform for art and New Media

Contact