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Well, here's the thing. We both in similar and different wasys did a fabulous job. Mine was probably a touchprettier overall, but content wise, Michael has a diversity and texture that can not be ignored. I did cheat but look at that face! How could that be ignored when, plainly, it is one of the most true and beautiful things I've ever laid eyes on. And i don't care who says otherwise, rules were meant to be broken, especially ones I made up myself. I had Koons, but Michael had Gough and Elvis. So, we're calling this one a tie. Which makes us neck and neck at the end of round three.
As an aside, we're both very honored that The Aurora Picture Show (as featured on Egg!) did the FBI and Winona powerpoints as performance pieces at a recent event called "Moderation or Death" featuring works created with commonly avaialable digital tools. Special thanks to Edith Sorenson for her keen eye and sense of fun in scouting us, and Andrea Grover for spearheading the performance.
I have this thing for Jeff Koons, having heard him give a talk coinciding with the opening of his retrospective at the old SFMOMA several years back. His performance that night was pure genius -- one part consummate art professional, two parts slick salesman, three parts wicked ironist. He made it perfectly clear that the joke was on us and him at the same time; that his art was equally true and false, and that he left it up to the viewer to decide where its beauty came from.
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