IssaBoulos.com
Title
Issa Boulos, composer 'ud player
Description
(b Jerusalem, Palestine, 1968). Palestinian 'ud player, composer and teacher Issa Boulos comes from a family of both musical and literary traditions and began to study voice at the age of 7. At that early age, Issa showed extraordinary talent in singing Arab classical maqam repertoire. At the age of 13 he entered the Institute of Fine Arts in Ramallah to study the 'ud with Abu Raw`hi 'Ibaidu. He graduated in 1985 and worked in Ramallah as an arranger of both folksongs and contemporary works and a musician in the ensemble of Sariyyat Ramallah Troup for Music and and Released al-'Ashiq in 1986, and in al-Ra`hhâla, with composer Jamil al-Sayih and Released Rasif al-Madinah in 1989. During the 1990s, under the influence of newly developed musical trends, Boulos's career took a new direction. He pursued music composition in response to a contemporary concern for revolutionary cultural change and richer and more flexible responses to widely different dramatic requirements. He started exploring and incorporating the performance practices, educational principles and aesthetic values of Western art music while adapting his art to suit the sensibilities of Palestinian politicized taste and maintained a pivotal link with the maqam tradition by continuing its ancient line of oral transmission. From 1991 to 1993, Issa composed over 200 instrumental and vocal pieces and one large-scale work titled Kawkab Akhar. He was appointed director of Birzeit University's musical group Sanabil in addition to training al-Funoun Popular Dance Troupe and Sariyyat Ramallah Troupe for Music and Dance. This era was the most experimental, challenging and yet prolific. It laid out conventional and modern compositional devices as abstract tools rather than absolute. His fascination with music towards higher levels of expression and interpretation encouraged him to examine other aspects of sound, and simultaneously broaden his artistic perspective, which was substantiated by the increasing number of questions concerning music making. In 1994 he moved to Chicago, where he studied music composition at Columbia College Chicago with Gustavo Leone and Athanasios Zervas and later at Roosevelt University with Robert Lombardo and Ilya Levinson. In 1998 he co-founded the Issa Boulos Ensemble (previously Quartet), performing his original contemporary compositions that ranged from classical Arab compositions to jazz. After completing his Masters in 2000, he spent one year in his hometown where he was active as a composer, educator, 'udist, and instructor of Western music theory and history, 'ud, chorus, ensemble and theory of Arab music at the National Conservatory of Music, Ramallah. Issa has given workshops and lecture-demonstrations at several American institutions and colleges including the University of Chicago, Yale, and Michigan Univesity. He is cofounder of Sama Music, leader of the al-Sharq Ensemble, the Issa Boulos Ensemble, member in Lingua Musica and Radio Maqam, founder of the Arab Classical Music Society (ACMS), and has recently been appointed director of the University of Chicago Middle East Music Ensemble. Although he has continued to write instrumental and vocal compositions, Boulos is best known for his theme works: Kawkab Akhar (1993), a large-scale instrumental work that captured his early stylistic development composed during the Palestinian Intifada, which was followed by 'Arus al-Tira (1994), composed while he was an undergraduate, Samar (1998), and his extended work al-Hallaj (2000) which is a series of composed Sufi poems penetrating the philosophy and tragic ending of Abu al-Mughith al-Husayn Ibn Mansur al-`Hallaj. His subsequent works include traditional Arab compositions and arrangements, jazz, and film and theatre scores, notably those for Lysistrata 2000, Catharsis and recently the film The New Americans. In one of his orchestral compositions, Shortly After Life, Boulos used a variety of Western classical compositional techniques; the work is a tribute to his father Ibrahim Boulos. Boulos's music still depends extensively on the melodic material of maqam; by treating this material through improvisations and using various musical techniques. His blend of tradition and innovation has forged important musical links between the Arab world and the West. Issa continues to be involved with ACMC that he established in 2003. As for his current personal projects, Issa is applying final touches on his new work Rif for kemence and percussion.It will be released later in the Spring of 2006. He is a recipient of many awards and fellowships including the 2006 Artists Fellowship Award by the Illinois Arts Council and the 2006 Palestinian Cultural Fund Award. Issa is currently a part-time lecturer at the University of Chicago. His duties include directing the Middle East Music Ensemble at the University.
Languages
العربية (Arabic)
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External Links
- Alexa: IssaBoulos.com
